My latest series The Middle of Somewhere has been selected for the 10th edition of Angkor Photo Festival 2014.

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tmos angkor001As ever with Angkor Photo, there is a great selection of photographers from around the world. I’m delighted to have been selected alongside some wonderful photographers such as Max Pam, Liz Hingley, Alejandro Chaskielberg, Antoine Bruy, Nancy Borowick, Munem Wasif, Ronny Sen, Jean-Christophe Godot and many many others… For more details and images you can check the press catalogue  here

Angkor 1




BIFB logo

One of my images has been accepted for the BIFB COLLECTION 2014, an annual fundraiser for the Ballarat International Foto Biennale.  For now, I can’t tell you what my image is, as all works are hung anonymously, and that would be letting the cat out of the bag, but all images in the show are for sale at the one price $125.

You can purchase a red dot at  which also includes entry into the event at Gallery Eleven40, 1140 Malvern Road, Malvern, Victoria, starting at noon on Sunday August 31st. The event runs until around 4.00pm. All the details are at the website


Los Angeles’ Duncan Miller Gallery has featured one of my images on their innovative Your Daily Photograph, print collection sale. ‘Uma, bubble gum’ was selected by curator and photography commentator Alison Sieven-Taylor. Alison’s weekly blog Photojournalism Now has a wide international readership and her writing appears in  a variety of leading photography magazines.

DMGallery AST Your Daily Blog final


Guernsey Photo Festival Banner

Uma, bubble gum, used as a banner for the Guernsey Photography Festival 2014. © Sam Harris

I’m honoured to be representing Australia, exhibiting The Middle of Somewhere (including some images from Postcards from Home) at UK’s Guernsey Photography Festival 18th Sept – 18th Oct 2014. I’m humbled to be in the line-up alongside the great contemporary artists Broomberg & Chanarin as well as the legendary Magnum photographer Abbas. This year’s theme is Faith, Family & Community and will also host the excellent New York photographer Elinor Carucci as well as exciting UK photographers Liz Hingley and  David Moore among others…

I’m really looking forward to attending the opening of the festival and checking out Guernsey as well as all the other photographers’ works… I’ll be giving a seminar talk and participating as a lecturer in the education program.

Guernsey Photo Festival 2014

Guernsey Photo Festival 2014


Beth Orton’s timeless classic Central Reservation has been re-released by 3Loop Music with a bonus disc of demos, B sides and other rarities, including previously unseen photographs from the sessions we did together.

Central Reservation shot in San Diego 1998 ©Sam Harris

The album cover for Central Reservation – Photo © Sam Harris

I can’t believe it’s 15 years since I worked with Beth taking photos for the album. Released in 1999, Central Reservation received a Mercury Music Prize nomination and helped Beth earn a BRIT Award in 2000 for Best British Female. Central Reservation spent 56 weeks in the album charts, selling over 500,000 copies.

A few months back I received an email from Beth, asking if I had any photos that hadn’t seen the light of day from the sessions we did together… Digging through the boxes of photographs that represent my print archive brought back many memories from that time. I love going over old photographs, not only for the nostalgia but also for the fresh discoveries. Time changes the way we view our photographs. Gone are the preconceived ideas of what a session should be and also the attachment to certain photos from within the session. It’s almost as if viewing the work as an outsider for the first time.

So, with fresh eyes I poured over contact sheets and work prints I hadn’t seen for many years. I remember that time so vividly. I joined Beth for a short West coast USA acoustic tour. We had a good connection and I was photographing her at every opportunity along the way; Car parks, hotel rooms, airports, thrift stores, cafés, sound checks, back stage… Most of our sessions were very short, just grabbing a quick moment on the fly, which is how we wanted it… more of a natural documentary approach.

Working with artists that inspire me was always my aim and working with Beth was great. The energy in the recording studio where I was fortunate to hang a few times and at the gigs was palpable. Sometimes you just know when something special is being created. It was an exciting time.

Beth Orton - Photo © Sam Harris

Beth Orton – Photo © Sam Harris

Beth Orton - Photo © Sam Harris

Beth Orton – Photo © Sam Harris

Beth Orton - Photo © Sam Harris

Beth Orton – Photo © Sam Harris

Beth Orton - Photo © Sam Harris

Beth Orton – Photo © Sam Harris



Sydney Exhibition

I’ll be exhibiting a couple of my earliest images at M Contemporary Gallery, Sydney next week.  The Genesis Project (opens May 20th) is a group exhibition for Head On Photo Festival featuring an eclectic mix of prominent photographers (Australian and international) that have delved into their archives to find the image(s) that first made them think, “that’s it!”. Along side the images will be the story of the formative, creative moments that helped mold them into the photographers they have now become. The exhibition will feature work from photographers / artists such as Roger Ballen, Ben Lowy, Chris Rainer, Murray Fredericks, Peter Eastway, Katrin Koenning,  Craig Golding

Experiment with Polaroid Type 55 (Will) 1989 © Sam Harris

Experiment with Polaroid Type 55 (Will) 1989 © Sam Harris

Below is the text that will accompany my image ‘Experiment with Polaroid Type 55 (Will)

I made this image in the very early days of being a photographer, at a time when my bedroom (with curtains gaffa taped to the walls) was also a makeshift darkroom. I practically lived in that room 24/7 and would obsessively experiment through the day and night. I had a large format 5×4 monorail camera and had discovered the wonders of Polaroid Type 55 film. You’d get a black & white positive print and also a negative, which required soaking in a clearing solution. I decided as an experiment i’d leave the neg in the solution for a few days, to see what would happen… When i came to remove the neg from the solution, to my surprise, the photographic emulsion (containing the image) started to slide off the celluloid. I remember it reminded me of the skin on hot milk…

Carefully i placed the negative on a towel to dry. Inspecting it later it seemed ruined. A lot of the emulsion (and the image) had gone or been scratched. However when i carefully placed the neg in my enlarger and made a print i got a wonderful surprise. It looked great, i loved it, it inspired me! This process taught me a valuable lesson that i still stand by today. To embrace experiments and be open to “The Happy Accident“. If we do, we can allow for some magic to happen and our creativity will grow.

My second image represents the photographers first milestone. For me that was this record sleeve for Tremolo EP by My Bloody Valentine. Created at the end of 1990 and released 1991. A band i’m very proud to have work with.

My Bloody Valentine - Tremolo EP © Sam Harris

My Bloody Valentine – Tremolo EP © Sam Harris

This record sleeve was one of my first and a favourite. I took my experimentation out of the darkroom and into the studio, trying to achieve similar effects in-camera. My Bloody Valentine were a pioneering Indie band and very hip. After several meetings to discuss the concept we all met in the Curtain Road Studio for the shoot. I had created a wall of cling wrap stretched tightly around two poles, with coloured lights shinning along the surface. The idea was that the model would stand behind this cloud like wall of red & blue light. I’d photograph her, then cross process and over expose the film so i could then sandwich my favorite slides together to create the final image.

The funny thing is that we did this shoot a couple of days before Christmas. The model i’d booked didn’t show up, phoning in and saying she was sick… so with the band sitting on the studio couch in a cloud of smoke, i asked the make-up artist if she’d ever wanted to be on a record cover and help me out in the process. Looking back now, i can’t image it any other way…